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Mel's WGST Channel

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Day Two
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Shoulders slightly hunched, a short haired girl in a loose sweatshirt and jeans pulls a duffel bag out of the trunk of a car before slamming it with just a little more force than was necessary. She turns to a boy who's leaning uneasily against the vehicle, saying, "Don't worry, I'll be fine. That's why I had you drop me off in this parking lot, instead of the next one up towards the highway. The people here are generally families, not teens."

The boy didn't look convinced, but embraced his friend anyway, muttering, "If you have any trouble, just give me a call. I know how parents can be." He shuddered a little from the cold before waving goodbye and hopping back into the car.

The girl shouldered her two bags, shuffled precariously under the unbalancing weight, and hopped up on the sidewalk. Smile tight and movements rather disjointed, she waved as the car pulled away. Her gaze didn't break until the car was finally out of sight, watching it so intently that she didn't noticed she was taking up most of the sidewalk.

She dropped the two bags on the bench and flopped heavily next to them. Cradling a battery-dead cell phone in one hand, she started pulling change out of a pocket, trying to scrounge enough to make a call. Just as she was standing to go to the payphone, a minivan pulls up. She drags the luggage towards it, quickly shoving it in the trunk amongst bags of groceries.

She disappears inside the car. The mother behind the steering wheel turned, pinned her eyes on the girl's hair, and exclaims in an overly emotional tone, "What did you do? You look like a boy!"

The girl, whose smile had been genuine, cracked to a new, forced plastic look as she said, "Hi, mom. It's just hair."


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My dreams generally feel as if I'm not actually a person. My consciousness is just a point of view that watches what is going on, similar to a movie without the close-ups. Generally, I'm very aware of people, but not the setting so much. However, everything about the people is crystal clear; colours, movements, sound, and the overall feeling of it. It's like how sometimes I become hyperaware of things if I get very, very tired. Most of what I understand about how people in the scene are feeling or what they are thinking is by how my consciousness interprets the facial expressions and body language of the individuals. It's funny, because what people actually feel is very apparent to my consciousness, but not necessarily the actual people in the scene.
mpulley (Mel) Burlington, VT, VT, January 05
First, I wrote a paragraph about how my dreams generally are set up and play out. Using this set of "rules," I read through my first entry and took out everything that I talked about thinking or feeling. Then, using body language and facial expressions, I rewrote these thoughts and feelings. I feel that it makes it easier for other people to imagine how the scene actually played out, instead of just listening to a commentary about an event. I think I prefer the second piece because it's less analytical and more about showing how everyone is feeling and reacting. It's easier to think about because you don't have someone saying how and why people did what they did, but you can judge it yourself.
mpulley (Mel) Burlington, VT, VT, January 05

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