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10/12/2007
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PhiltreBeat
I've been...accepting...digital effects lately. Only because I've stumbled on two that are awesome. They are the (discontinued) Alesis Bitrman and Philtre. I think these were marketed as guitar effects - and they're not quality at all for guitar. But for studio effects, they excel and are super versatile. They also sound better than any plugins I have that propose to do the same thing. I still love the Sonic Alienator for decimation, but the Bitrman adds in a bi-phase, overdrive, and compressor, and you can set the order of the signal flow. Combined they make for something different and cool. This demo is using the Philtre, a multi-band resonant modulatable filter. I am using the tempo-sync'd pattern program, where it generates a filter sequence based on a tap tempo and tempo sensing circuit. I switch between high pass 8-pole (!), band pass, band reject, and low pass (2-pole and 8-pole). I also reset to new patterns and switch off between dry signal and levels of filtration. The digital resonance generates some crazy low end tones from my basic XBase drum beat (from an earlier demo). It moves air.

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